24. April 2005 · Comments Off · Categories: imported, Ramble

It seems as if we’ve been deserted. Sigh.

I know Terminal Degree had talked about removing the blog, but now it’s been done and, well, I miss it. The site was insightful and very honest.

Rats.

I know that some have talked about the safety of these blogs. TD had posted anonymously and was able to vent about issues. I post publicly and, yes, there are certain things I won’t write about here. I am using this for a variety of reasons, but I have chosen not to vent here.

Besides, do any of my readers think I could eve be frustrated with anything about this career of mine? ;-)

Heh. Can’t often afford a vacation, I need a new oboe, and reed making drives me batty … but do you hear me complaining? Naw. I wouldn’t bring those things up now, would I?

Um. Okay … I do vent about my own personal oboe woes … I like to let everyone know that I don’t have it all figured out even after 30 years. Some may find that encouraging. Others may find it discouraging and to you I apologize!

But back to Terminal Degree … in case you read this blog: please know you are missed. You could always drop me a private note. I’d like that.

—–

24. April 2005 · Comments Off · Categories: imported, Links

Just read it.
—–

23. April 2005 · Comments Off · Categories: imported, Ramble

Ilkka Talvi, of the Of Mice and Men blog, has a good write up on the audition process.

There are a whole lot of auditions coming up in OboeLand. You can check the US ones out on my current professional auditions page. It’s quite the audition fest.

But who will win?

Heh. Who knows?

I’ve been on audition committees. It isn’t fun to be in charge of so many oboists’ fates. I feel for every single oboist who is brave enough to show up. I can say that the oboe auditions I’ve been on have been run fair and square. There was never any “fixing”. Never any guessing as to who was behind the screen. And I’ve been very happy with the results.

But … many, many years ago I was attending an audition (not on the committee, but as librarian), and there was a whole lotta guessing goin’ on. The committee clearly wanted a particular player, and they were guessing who was playing when. They were upset when they felt they had to choose someone else who played the better audition (at least they chose the best player!). Much to their surprise the person they wanted actually was the one they chose; they had simply guessed wrong.

The screen that guarantees anonymity can also cause problems.

I actually think the whole anonymity thing cuts out something important that I suppose we like to deny. We musicians have to work closely together. We need to get along. At least a little! But we pretend that the only thing that matters is musicianship. I’m not sure any other job operates this way. I know in the business world they even wine and dine applicants sometimes, and an applicant simply doesn’t fit what they need, all the qualifications in the world might not get him or her in the door.

And yet we don’t want to be accused of discrimination. It’s a tough issue.

Mostly I’d just say auditions aren’t fair, and certainly don’t deal with what I call music in any real way.

But that’s the music biz.
—–

22. April 2005 · Comments Off · Categories: imported, Ramble

One more performance of The Flying Dutchman (Sunday at 3:00) and our opera season will be over. (Why, oh why, can’t we have a summer season? Sigh.)

Next on the agenda is Beethoven and Strauss, so the end isn’t really in sight … yet.
—–

22. April 2005 · Comments Off · Categories: imported, Quotes

Music – The one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.

-Beethoven
—–


The Day is Done

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o’er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life’s endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

Henry Wadsworth Longfellow (1807-1882)

21. April 2005 · Comments Off · Categories: Announcements, imported

I have updated the current audition page. Check it out! I now have the repertoire lists for Tacoma, Cleveland and … drum roll please … New York Philharmonic! Many thanks to a reader (and reeder) who supplied me with some of this information. (I don’t know if you want to be named publicly … let me know if you do!)
—–

21. April 2005 · Comments Off · Categories: imported, Ramble

… was a good day, practice-wise.

Some days things simply feel right. I like that.

I have no opera tonight, so after a bit of exercise, a short shopping excursion, a good practice, a student who did very well on her scales (!), and a nice dinner, it’s a relaxing evening at home with the family. Yay!

Meanwhile

Don’t forget about the concert this Sunday:

San Francisco Ballet Orchestra on Stage!
@ San Francisco Opera House
Sunday April 24th at 2pm

This concert includes Liang Wang playing the Richard Strauss Concerto for Oboe. Other works on the program are Stravinsky’s suite “The Fairy’s Kiss” and Schumann’s Symphony No. 2.

Tickets are only $10 and may be ordered from the SFBallet box office at 415-865-2000 or online at www.sfballet.org.

I do hope some of you are able to attend. You can’t beat the price, and you’ll hear some very fine music and musicians!
—–

21. April 2005 · Comments Off · Categories: imported, Quotes

Parsifal – the kind of opera that starts at six o’clock and after it has been going three hours, you look at your watch and it says 6:20.

-David Randolph

(Another one from Divertimenti.)
—–

I think something is wrong with one of my teeth. It reacts to any sort of liquid, and I no longer chew on that side because it gives me a bit ‘o pain.

Thing is, I really can’t see the dentist until I’m through with the jobs I have right now; I don’t want to take a chance on anything going wrong. (Like the time he came to close to a nerve and half of my tongue was numb for four months. Nope. Not gonna take that chance!)

What a nuisance.

20. April 2005 · Comments Off · Categories: imported, Quotes

Wagner used to read the libretti of his operas to his friends; I am glad I was not there.

-Ralph Vaughan Williams

(I found this here, a recently found blog that I think I’ll be enjoying!)
—–

19. April 2005 · Comments Off · Categories: Announcements, imported

Students, get to the opera house 90 minutes prior to the performances (only 3 to go: tonight, Friday and Sunday) and you can get a $10 ticket with student ID! If you need to see dates and times, and get directions as well, you can always look at my performance schedule, or just go to the Opera San Jose site.
—–

19. April 2005 · Comments Off · Categories: imported, Quotes

By itself, the question of the liturgy’s essence and the standards of the reform has brought us back to the question of music and its position in the liturgy. And as a matter of fact one cannot speak about worship at all without also speaking of the music of worship.

and

In these few sentences we find set forth the fundamental principles of liturgical music. Faith comes from hearing God’s word. And whenever God’s word is translated into human words, there remains something unspoken and unutterable, which calls us to silence – into a stillness which ultimately allows the Unutterable to become song and even calls upon the voices of the cosmos to assist in making audible what had remained unspoken. And that implies that church music, originating in the word and in the silence heard in that word, presupposes a constantly renewed listening to the rich plenitude of the Logos.

-the then Cardinal Joseph Ratzinger, now Pope Benedict XVI

(No, I’m not Catholic. But I like to find quotes that fit a current event.)
—–

18. April 2005 · Comments Off · Categories: imported, Links

I scored a 5 here.

Okay twang twang twang (otherwise known as harpist Helen Radice), you gonna provide answers or am I expected to do the google thang? ;-)
—–

18. April 2005 · Comments Off · Categories: Announcements, imported

… it is, after all, National Poetry Month!

CORRESPONDENCES

Nature is a temple in which living pillars
Sometimes emit confused words; 
Man crosses it through forests of symbols 

That observe him with familiar glances. 

Like long echoes that mingle in the distance 
In a profound tenebrous unity, 
Vast as the night and vast as light, 
Perfumes, sounds, and colors respond to one another. 

Some perfumes are as fresh as the flesh of  children,
Sweet as the sound of oboes, green as pastures
– And others corrupt, rich, and triumphant, 

Having the expanse of things infinite, 
Such as amber, musk, benzoin, and incense, 
That sing of  the flight of spirit and the senses.

-Baudelaire

—–