26. October 2007 · Comments Off · Categories: Ramble

… and feeling unready.

The UCSC faculty recital is Sunday at 7:30. I never feel ready for these; I’m such a “team player” (not as in I get along well with folks, but that I like a big team!) and smaller groups just feel uncomfortable. I also would have loved more rehearsal time, but getting four of us together when we live hours apart is a real challenge. I also wish I was happier with my reeds. They feel fine. Until I play in the group. Go figure.

Really, that’s fairly typical for me. I don’t know if other oboists experience this problem or not. I must do something differently the minute I play with others. (I guess “Plays well with others” should be changed to “Plays differently with others” for yours truly.)

Ah well. It will be what it will be.

And I’m very, very tired.

26. October 2007 · Comments Off · Categories: News, Watch

Really. I mean … this little guy was saved by his violin case (you have to put up with an ad first).

(Seen first at The Collaborative Piano Blog.)

So, parents, give your kiddos music lessons. ;-)

(My double case—a Wiseman double case that my dear parents got for me—would probably save my life too. AND I think the instruments would also survive!)

26. October 2007 · Comments Off · Categories: Links

During a rehearsal last week for “A Night at the Rock Opera,” Sal Clemente stood front and center on the Wilbur Theatre stage belting out the emotional first lines of Queen’s “Somebody to Love.” Behind him was his posse, the rock opera cast of 23 singers and musicians who filled out the anthem with 11-part harmony like a church choir. (RTWT)

Ah yes. I attend church. We so frequently sing 11-part harmony.

Not intentionally, of course. ;-)

26. October 2007 · Comments Off · Categories: Links, Ramble

— Change teacher swiftly if it’s not working well; otherwise, tread carefully in any interference with teachers – musicians tend to be highly strung.

Man, this just has me screaming. And throwing things. And I’m gonna hunt this writer down.

HIGH STRUNG?! NEVER?!?!?

;-)

Okay, okay, just having fun here. It’s true; some musicians are high strung. Like … well … violins. (Sorry. Couldn’t resist.) The truth is, some parents are also quite annoying. But I won’t go into that here.

The above quote is from Face the Music: Getting children to practise musical instruments is tough but necessary. (I find it interesting that this article is in the women’s section of the paper. Hmmm.

I’d love to hear what other readers think of the article. The responses I read at the site disagree with the writer, suggesting parents shouldn’t force anything on their children. I understand. I won’t teach a child if he or she absolutely hates playing. But there’s another side to the coin; parents do need to be able to read their children. I sometimes told my mother I wanted to quit the oboe. She didn’t let me. Years later I asked her why, and she said she knew I was good, and I think she also knew that, despite my complaining, I really did like it. If a parent allowed a child to quit something the minute he or she hit a wall, I suspect children would be sitting around doing nothing all day.

Oh. Some do that, eh?

It’s all a balancing act, I know. It’s never easy.

26. October 2007 · Comments Off · Categories: Links

“Some young people are interested in classical music, but they don’t have enough money to buy tickets to big theatres, so they choose these bars instead.”

In Ha Noi, it’s now very easy to find a cafe or bar playing live music, especially on Nguyen Du or Thai Thinh streets. Some bars play only classical music. Young people tend to enjoy these quiet spots at the end of small roads, far from the cacophonous city swarming with crowds and tourists.

… and later …

Tran Hai, a composer from the Ha Noi Conservatory of Music, confided, “Before, I thought that orchestras performed in large theatres, playing primarily for the rich or those with musical education. (Most people are middle-aged, rarely are there young people). I thought classical music was noble and geared for those of high class. But now my opinion has changed considerably. Music simply appeared to improve life without distinguishing between poverty or wealth. Playing music in the bar, I find many young people come here and listen with intensity. I feel very happy. The young people seem accustomed to listening even to the more difficult pieces of classical music. This is a good sign!” (RTWT)

26. October 2007 · Comments Off · Categories: Links, Ramble

My guess is the poor oboist had an “event” like my oboe student in the blog entry just prior to this one!

This information naturally delighted everyone in the audience, particularly those of us who’d noticed the original oboist flee the stage after the first few measures of Wagner’s Overture to Die Meistersinger von Nürnberg, and had wondered what was on her mind. (RTWT)

Ya think?

I’ve never had this happen, but I have had to run out during rehearsals. Flu happens. (I foolishly ran in and out of the rehearsal until my colleagues begged me to leave; I had neglected to think about them. Nice of me, eh? But if we don’t play, there is no pay. And sometimes that income is so darn necessary!)

(Did I really skip a day of blogging yesterday? Hmmm. I don’t remember not posting, but then again, I don’t remember posting either. Go figure!)

There are certain issues with teaching oboe that other instrumentalists don’t have to deal with. At the top of the list, of course, are reeds. Only bassoonists, and our friends in the single reed world have to contend with the reed dilemma. it’s an issue some have easily resolved. I haven’t.

I play my students reeds at times to diagnose problems. (I know, I know, you are all going “EWWWW” now.) I try to avoid playing on them if I’m able, but I sometimes just have to. Sometimes it’s the only way to see if the problem is the student, the oboe, or the reed. When students purchase reeds from reed makers, my assumption is that those craftspeople play those reeds—or at least “crow” them—to see how they are working. Some say they “disinfect” the reeds before shipping them off, but I’ve been told by one microbiologist that many of our methods are pretty useless.

When I told a doctor recently that I thought a Hep B shot might be worthwhile because I teach oboe, play students reeds, and deal with a lot of college students (who, ahem, aren’t always careful about certain things) he looked at me with horror.

But what’s a oboist to do?

So many of us toot on students’ reeds. And that’s just the way it goes.

Recently, due to a family member dealing with chemo, getting sick has not been something I wanted to contend with. (Heh. Is it ever?) I have started a new practice with my students; they come in the door and immediately go wash their hands. (I’ve even thought about having some sort of hand cleaner in my studio. I still might go there eventually.) They should tell me immediately if they have a cold or feel ill. If I can avoid getting sick, I really want to. (Duh.)

But reeds? I’ve really tried to not play on them, but sometimes I just can’t figure out what else to do. And of course even if I don’t play them I touch them, carve them, stick my plaque in them … so I could be getting little bugs in all sorts of ways.

Yesterday the only student who came to a lesson (so many cancellations these days) walked in and warned me of her headache. She looked pale, but she said she thought she was just tired. So she began to play. Every time that reed went in her mouth and she began to blow I thought, “Please don’t throw up!” She just had “that look.” After a few scales, I said, “Let’s stop.” She just looked too uncomfortable. Mom came a bit later (the poor student had to wait as mom is a carpool driver and was taking other kiddos home) and took her daughter out to the car. Said daughter threw up before reaching her car. This was certainly no one’s fault; sickness happens, and sometimes it happens quickly. I’m just glad I had her stop playing when I did. And while I did touch her reed, I didn’t play on it.

I think I’ll get a flu shot this year.

24. October 2007 · Comments Off · Categories: Links

In his small space, he has a gauger that set him back $1,000. It’s a specialized planer complete with dials and measuring tools to plane the reeds to 0.6 millimeters thick. He purchases the bamboo reeds – the size of a ballpoint pen – from a craftsman in Paris.

and

He became a musician partially because his parents loved music. “Even in Sabinal, a small Texas town of 1,500 people, I enjoyed ‘Rite of Spring’ by Starvinsky. It had an oboe in it, as does ‘Peter and the Wolf.’ I began playing in the high school band.”

FYI: gauger should be gouger. I hope you know that Starvinsky should be Stravinksy. :-)

(Found here, in an article about oboist and reed maker Kerry Willingham.)

24. October 2007 · Comments Off · Categories: Links, Ramble

Do tell! Because I just read this:

Simply put, Steven Stucky ranks among America’s greatest living composers, the proof of which is to be found almost everywhere one looks in the classical field.

And I don’t know his music at all. Not one piece!

The name did ring a very faint bell. I had just read about a piece of his being played by Los Angeles Phil. (Oh, and as to that orchestra … wish I could hear all that Sibelius!)

So we’ve not played any Stucky here in San José as far as I know. I see, though, that I could get some of his music from emusic.com, so perhaps I should download something.

Anyone?

I just received an email from The New Republic. It begins with “Hey”.

Now I say “hey” a lot. I greet my kids and students with a “hey” now and then. I don’t mind if people I know greet me that way either. But when someone who doesn’t have a clue who I am greets me with “hey” I’m put off. Go figure. Then the email continues to … well … it pushes my buttons I guess.
Here’s what I received:

Hey,

I think you and your readers at oboe insight will like this piece we just published, by Richard Taruskin: It’s a provocative argument that the dire situation in which classical music finds itself is being made even more dire by the sentimentality and unreality of some of the music’s most ardent defenders. Here’s a link: www.tnr.com/politics/story.html?id=f3839c75-3724-4154-adc4-e0638e30448a

Best,
Barron YoungSmith
The New Republic

Am I silly to be bugged? Oh probably. But, you know … well … my iron is low. I’m very sensitive these days! ;-)

I haven’t read the article yet, and I’ve never read The New Republic (for some reason the name even bugs me!). But that email just rubbed me the wrong way.

And yes, I’ve done exactly what they wanted by giving them this publicity. Even negative publicity is publicity, right? See how nice I am? (Yeah, that’s it. That’s the extent of my niceness.)

I guess I have to go read the article now, even though I’m bugged. Just watch, I’ll probably love it.

Oh … and “dire situation” … how much longer must we hear this?

PS Go ahead and email me with a “hey”. Really. Now that I’ve said it bugs me it probably won’t any more. I’m weird that way.

UPDATE
Due to dinner, a ball game, a symphony rehearsal in an hour, and a muddled mind, I don’t have time or energy to read the article right now, but I did have time to skim. I really liked one of the final paragraphs, pasted below, so I suspect I will also enjoy the rest of the article. So … well … “hey” … ;-)

As a team of Texas researchers have recently announced, there are exactly 237 known reasons why people have sex. There are at least as many reasons why they listen to classical music, of which to sit in solemn silence on a dull dark dock is only one. There will always be social reasons as well as purely aesthetic ones, and thank God for that. There will always be people who make money from it–and why not?–as well as those who starve for the love of it. Classical music is not dying; it is changing. (My favorite example right now is Gabriel Prokofiev, the British-born grandson of the Russian composer, who studied electronic music in school, has headed a successful disco-punk band, and is now writing string quartets.) Change can be opposed, and it can be slowed down, but it cannot be stopped. All three of our authors seem reluctant to acknowledge this ineluctable fact. But change is not always loss, and realizing this should not threaten but console.

Yes.

24. October 2007 · Comments Off · Categories: Quotes

Scott Wilder: Nobody appreciates the oboe.

Lenny Briscoe: It’s an ill wind no one blows good, right?

Scott: Name one famous oboist.

I landed here, and got a kick out of a lot of what I read. I’m not really totally clued into what yelp is about, but I guess anyone can write about whatever there and get reviews, advice, and whatnot in one’s own city…? I landed on the first link above because of my San Francisco Symphony news feed. You’ll find some fun comments, some interesting ones, some puzzling, and a ton of typos. Here are just a few:

It is not a requirement that you dress up attending the symphony (it says so on it’s website), business causual is fine if you are getting off work.

my first symphony last week was the ADDream.

I have no idea what I just saw and heard. I think it was Lizst and Beethoven and Prokofiev… But gosh, was it good. And the people who performed it were amazing. It’s safe to say I was blown away.

Playing Paul McCartney’s “Classical” music would be unforgivable if they did not do so many great performances of of so much music.
For a major orchestra they do tons of new music.
Personally, I like hearing the classics just as much and while I love new music, a city orchestra’s job is still to play classical music, which they do extremely well.

So … you might want to just check it out. The comments are definitely entertaining. I think it’s great for us old and jaded folks to read it to see what those who are new to they symphony scene think, what they see and hear, and how they react.

24. October 2007 · Comments Off · Categories: Ramble, San Francisco Symphony

I was just looking at San Francisco Symphony’s website because I wanted to see what’s up with the Queen performing there on November 25. (Didn’t find anything, and yet I have a press release.) And I noticed that two of the three artists on the home page look so darn serious. And then there’s Gustavo Dudamel. He looks happy. And relaxed. I think I like him.

It’s a funny thing, the publicity photo. And it’s not just the “classical” folk. For some reason an “artiste” doesn’t smile. Oh no. We are serious about what we do. Or we just look terribly terribly sad. Or sometimes like we are more about getting someone into bed than the concert hall. Same with models, of course. Have you ever looked at a model for a good long time? Would you want to be that morose? I dunno … I’m not sure I’d want some of these people to be my friends. They all look as if they need therapy. Of course then there’s yours truly; I just smile and wield sharp knives! :-)

pattytheknife400.jpg

But really … I love doing what I do (yes, including the whining) and I see no reason to look so darn serious or forlorn. Don’t we want people to think that this is an enjoyable thing? Sure, we like our miserable moments in music … who doesn’t want to fall to the floor weeping on occasion because of the wonder of the music? … but still.

I’m just sayin’ ….

23. October 2007 · Comments Off · Categories: Ramble

I knew I wouldn’t be needed until the end of the symphony rehearsal tonight, but I can never convince myself to stay home for very long. I did manage to get to the hall after they had started rehearsing though. I usually can’t even wait that long! So I arrived at about 7:40 for a rehearsal that began at 7:30. I was told they’d be doing Schumann (Piano Concerto in A minor), then Brahms (third symphony), and finally end with Debussy (Prèlude l’après-midi d’un faune). I play the Debussy only, as I’ve mentioned before.

I always bring a book, but I rarely read. I can’t concentrate on a book very well when I’m listening. It’s hard not to listen when you are in a concert hall. I did, though, go over my opera part a bit, since I had just picked it up. Hah! Good thing I did. Good old Kalmus. The oboe books for Werther had pages out of order!. The first few pages went 2 (which is the first page of music), 5, 4, 3 and finally, from page 6 on, things are correct. As a former librarian who has dealt with issues like this, I’ve told the company that Kalmus is so full of errors a librarian has to go page by page to fix things. So far they haven’t taken me seriously. Part of me is sort of sorry I caught the error. (Things never change unless you kind of force change, you know?) Ah well. The other part of me is happy to avoid wasted rehearsal time figuring out the problem.

But anyway … back to the rehearsal … after enjoying some Schumann and Brahms I did finally play for the final 20 minutes of the rehearsal. I’m okay with that. That’s part of the English horn life. (The other part is sit, sit, sit, sit, worry, worry, play huge scary solo, sit, sit, sit …. But no scary solos in this set.)

23. October 2007 · Comments Off · Categories: Ramble

So Alex Ross’s book arrived today. I really want to start reading, but the question is, do I read it before I finish what I’m working on? (I hate that I’m such a slow reader these days, but that’s just the way it is.)

BUT … more frustrating … the book cover is damaged. This lovely white cover with clean lettering has a huge brownish stain on the top right hand corner. At least I’m assuming this is damage and not the way it is supposed to look! I guess that’s what I get for ordering from the online Barnes and Noble store, and not selecting my own copy. I wonder if they’d exchange it for a clean copy if I took it to the local store. It’s silly to care about a cover I suppose, but I like to get things that look new. It’s up to me to mess the things up. Right?

Anyway, it’s here … along with William Bolcom’s Aubade for the Continuation of Life, for Oboe (or Bb Saxophone … say WHAT?!) and Piano, which I ordered on a whim. I haven’t a clue what the work is like. Anyone out there know of it?