But ultimately, fellow students, it’s up to us. Time to invade the concert hall. Classical concerts need not be exercises in cough-stifling. I regularly wear a T-shirt and jeans to the BSO – it’s fun to give the lingering Koussevitzky-ites a mild shock, since I know Mahler’s just as sublime sans tux – and respond to the music with a vocal passion. I cheered myself hoarse for Barenboim, Levine, and Carter last year, and I booed Teatro Lirico’s apathetic “Aida’’ with equal fervor. Audience participation didn’t start in 1962 – a knowledgeable, demanding audience has been the sustaining force of every culture with music at its heart, from fin-de-siecle Vienna to New Orleans in the 1920s.

So don’t treat classical music as a once-a-year excuse to dress up and get a nice dinner. It is music. It’s meant to be loved by the young, hormone-crazed masses, loved the very same way we love Radiohead and the Arcade Fire. It should lie at the center of everyday life, spark our wildest conversations and profoundest thoughts, be the soundtrack to falling in love. There’s a galaxy of music in our city that needs our love, and I know we’ve got it in us.

Do read the whole thing.

(And while jeans and a t shirt are seen in the concert halls I frequent, some of the younger crowd do like to play dress up too … clothing runs the gamut.)

13. September 2009 · Comments Off · Categories: Opera, Ramble

… you might wonder, since I’ve not really written much about the opera, the rehearsals and all. I’m not sure why; guess I’ve just not been in the mood to write about it.

But I think they opera has gone very well. From what little I can hear I think the singers sound good. The orchestra is playing well. I have a good number of solos and I will admit that I’m not embarrassed by my playing. (Heaven forbid I say any more than that!) Today the reed I used for Acts I, 2 and 3 died at the beginning of Act 4, but I was actually ready for that and had reeds wet and ready. Whew! (During rehearsals I changed reeds several times a night, so I’d know what to expect from each.)

With our two intermissions the opera is 3 hours long. I can tell you I’m exhausted at the end. But, so far, I’m also content. It’s a good feeling to be content with my playing.

Not that that can’t change! :-)

13. September 2009 · Comments Off · Categories: Reviews

Richard Scheinin’s Mercury News Review. (The least favorable so far.)

13. September 2009 · Comments Off · Categories: Reviews

Opera Tattler came to San Jose. Nice! :-)

13. September 2009 · Comments Off · Categories: Reviews

… you can read it here.

13. September 2009 · Comments Off · Categories: Sunday Evening Music

On Heaven’s Bright Shore

R. Nathaniel Dett: O Holy Lord

12. September 2009 · Comments Off · Categories: News

While the Philharmonic’s statements sound pretty definitive, a CSO spokeswoman said that Dufour remains under contract with the Chicago Symphony Orchestra and is only taking a leave of absence for the 2009-2010 season. The French flutist will continue to be a part-time presence with the CSO this coming season, playing in programs led by Riccardo Muti, Bernard Haitink and Pierre Boulez.

This is talking about the principal flutist of CSO, Mathieu Dufour. He is going to play principal flute in the LA Phil this year. (I’m assuming he won an audition there.)

When one is in a group already, but wins an audition for something else, it’s always best to take a leave if contractually possible. Tenure has to be won in the new group, and it’s also possible that the musician may realize the move wasn’t desirable after all.

I read about it here.

12. September 2009 · Comments Off · Categories: Links

It’s right here.

Mr. Harrell performed with San Jose Symphony (RIP) so long ago I can’t tell you when it was. Hmmm. I was there from 1975 until it crashed and burned in 2001 (?) so I do know it was between those years. I remember loving his playing, though.

So check out Mr. Harrell’s new blog. Cellists are people too. ;-)

12. September 2009 · Comments Off · Categories: Links, Opera

You can read them here.

No mention of the orchestra, though. Boo hoo.

After last night I’m a bit wiped out, so before tonight’s opening I think I’ll take a bit of a nap. Best to be well rested!

It’s best to rest
before the test
of opening night!

Now this slouch
is on the couch—
let dreams take flight!

12. September 2009 · Comments Off · Categories: Opera

Dan and I were at San Francisco Opera’s opening night. And yet no pictures of us appear on SF Gate. What a puzzlement!

It was fun watching all those fancy dresses appear. At the same time, I’m thinking about all the money these women had to spend and thinking about my little dress and I’m happy to be me and not have to do the whole social thing of walking in (they came from across the street at city hall), getting a picture taken, pretending I’m royalty or what not. I don’t think I’d do “rich and famous” very well. I just don’t have it in me!

The opera was wonderful. I do have a few nits to pick, but nothing I’d mention here. Sondra Radvanovsky was absolutely wonderful. She could fill the room with that rich voice and just melt all else away. It did seem to be the “women’s night” … Stephanie Blythe was great too, and I thought Reneé Tatum was as well.

Not to “diss” the guys but … well … I really thought the women won the battle of the stars.

And of course the fabulous orchestra was fabulous. Go figure.

Now I move on to teach three students and to