12. November 2009 · Comments Off · Categories: Concert Announcements, Links, Videos

(Yes, I posted this on November 3. This is just a reminder! Plus a bit more at the end ….)

I am planning on attending a performance of New Century Chamber Orchestra this November. I do hope any local oboists will do the same. The program looks great. Laura Griffiths will be soloing on Bolcom’s Serenata Notturna for oboe and strings. Also on the program are Three Rags for String Quartet, again by Bolcom, and Richard Strauss’s Metamorphosen.

You have four chances to go, too! Here are the dates and locations:

* Thu, Nov. 19, 2009 at 8pm, First Congregational Church, Berkeley
* Fri, Nov. 20, 2009, at 8pm, First United Methodist Church, Palo Alto
* Sat, Nov. 21, 2009 at 8pm, Herbst Theatre, San Francisco
* Sun, Nov. 22, 2009 at 5pm, Osher Marin JCC, San Rafael

Serenata Notturna was conceived as an oboe quintet and written for the Guarneri String Quartet and Philadelphia Principal oboist Richard Woodhams in 2005. Of the Serenata Notturna, Bolcom has written: “The piece is not ‘about’ anything but its own self. It is not a ‘profound’ piece—i.e. pompously preachy, as I find a number of recent pieces end up being in their search for depth—or an ‘exploratory’ piece, in that it is mostly tonal, not full of harmonic thorniness. Serenata Notturna is rather serenade-y, definitely ‘night music,’ with night’s delights and terrors. I meant it to be a pleasure for the players—it is intentionally ‘light,” as a serenade should be, with darker patches that are there to remind you of ‘real life.’” Bolcom’s “nocturnal serenade” is in a classical four-movement form, and performed by a quartet of the New Century Chamber Orchestra’s musicians, with guest oboist Laura Griffiths.

12. November 2009 · Comments Off · Categories: Videos

You may have to go to the prom alone, but that’s a sacrifice worth making to play the sousaphone.

Thanks, dk! I love it! ;-)

… and of course then you have to watch the “making of” video!

12. November 2009 · Comments Off · Categories: TQOD

I learned a lot from my Oboe teacher today!

11. November 2009 · Comments Off · Categories: TQOD

lolz im a band geek, foreals i always feel so geeky carrying my oboe! i should have taken music appreciation, watever that is!

10. November 2009 · Comments Off · Categories: Ramble

I was at The Abbey to get a latté at about 7:30 this morning, and began teaching at 8:30 AM. (Of the three students I taught at UCSC today, one showed up to our faculty recital Friday night. And she’s not the bachelor of music major I have. Hmm. What’s wrong with that picture?) After teaching I raced down to the orchestration class to yak about the oboe and English horn. That took more time than usual; I was in a yakky mood I guess. (And hey, if any of you from the class read this do say “hi” if you’d like! I’m also happy to answer questions or look at what you are writing if you want advice.)

Getting home a (finally) ate something, took a 30 minute QuickSnooze™ and then taught two more students. Now it’s scarf down the dinner time, and off to Cenerentola.

What a day, eh? Woke at 6:30 AM, and I’ll be done with work at 10:30 PM, arriving home at about 11:00.

And yes, I should be used to it by now. But I’m not!

10. November 2009 · Comments Off · Categories: TQOD

I’m playing oboe d’amore in bolero tonight. This is totally a big deal.

10. November 2009 · Comments Off · Categories: Videos

Purely for fun (thanks BZ, for alerting me to this!):

… and if you recognize the tune, it’s from “Waters of March” or “Águas de Março”:

09. November 2009 · Comments Off · Categories: Composers, Other People's Words

Q: Is there a next opera in the works?

A: At the moment, no. I have a really interesting idea, which I’m not ready to talk about: a dramatic work, but with only voices and no orchestra.

The above is from a short interview with composer John Adams.

RTWT

I may have mentioned this before, but in case I forgot, the composer also has his very own blog. Check it out. (Warning: I have great difficulty reading it, as it’s white lettering on dark background. It just KILLS my eyes. Sigh.)

09. November 2009 · Comments Off · Categories: Links

(Did I already post this at some point? My poor, poor brain! Sorry if this is a repeat!)

Besides helping hear speech in noise, musical training correlates with higher reading scores. And Kraus and her team have found musicians are better able to catch the emotional content of sound. These aren’t just skills you pick up like you’re learning to knit – Kraus says musical training seems to actually restructure the brain.

The above and so much more can be read here.

But my fave? It’s this:

Musicians spend so much time manipulating to the sound from their instruments, listening to the output from their teacher and mimicking it, communicating musically with other perfumers. And that can translate into how we process speech.

Because … well … everyone wants to communicate with perfumers! Right? ;-)

09. November 2009 · Comments Off · Categories: TQOD

Man, why do i tourture myself with oboe concerts?

09. November 2009 · Comments Off · Categories: Ramble

Tonight was another rehearsal of Cenerentola. I have decided that Rossini and I are not the best of buds. At least not right now. There’s one lick* I can’t seem to manage. I can play it at home. I can play it in the pit before we begin and during breaks. But I can’t seem to play it when it’s time to actually do the darn thing. Sigh. There’s always something.

And reeds? They are just not happy. Or I’m not happy with them. Or something.

Then, by the end of the rehearsal, I started thinking, “Am I getting a bug?” And I still wonder. Now that would simply be unacceptable! I haven’t the time or energy to be sick. So that’s not gonna happen. Period.

*If you want to hear the lick, go back to this blog entry and listen to 5:23 … it’s not as noticeable as it feels in the pit, but it is somewhat important and it’s just awkward for yours truly.

08. November 2009 · Comments Off · Categories: Sunday Evening Music

08. November 2009 · Comments Off · Categories: Sunday Morning Music

Arvo Pärt: Kanon Pokajanen