For far too much to put it all up here!
Ich Habe Genug:
Cello Suite No. 6: Allemande
Cantata BWV 131- Aus der Tiefen (I):
Cantata BWV 131- Aus der Tiefen (II):
Cantata BWV 131- Aus der Tiefen (III):
… and thanks!
For the Symphony No. 6 (“Pastoral”), Mr. Fischer radically broke with conventional orchestral seating. The principal flutist, oboist and clarinetist were placed front and center, with other winds mingled throughout the ensemble: a second flutist back near the basses, a second oboist between the violas and second violins, a piccolo player with the trombones on a rear platform.
[and later ...]
The layout for the Ninth Symphony was even more peculiar. The woodwinds migrated to a standard grouping near the back, replaced in the front row by Roland Denes, the timpanist, who admittedly played an especially prominent role. Only at one point near the end of the first movement did his animated rumble obscure details elsewhere in the ensemble.
I read it here.
Thoughts?
Manhattan Transfer and Symphony Silicon Valley on June 12?
I read it here, googled it, and found a lot more of the same info elsewhere.
I’m helping Brandon with his move to New York City, so today is going to be a busy one (he leaves very early tomorrow morning). I’ll just leave you with a bit of music instead. How ’bout some Bach:
… back later!
While Pärt might look holy and reserved, he’s actually full of mischievous humour. He talked of a crazy “happening” in the Sixties when he dressed up as a doctor with a surgical mask over his face to perform some operation on a violin which unintentionally ended up in flames. He became branded as the man who burned violins.
It’s difficult to imagine this very serious composer doing that … but hey, it was the sixties!
The above is from this.
I sure wish I could watch BBC Four, and especially the series on Sacred Music (here’s a link to Gorecki & Pärt, but it’s “not available in your area”, I’m told.
a bad oboe sound can sound like one of the following: a swirling cat, a choking chicken, or a duck being slowly run over.
Nice video!
I posted a video quite some time ago of opera being sung in a market. Now Baltimore Symphony and Washington Opera have done the same thing.
It appears, from what she writes anyway, that perhaps Anne Midgette hadn’t seen the original video. She doesn’t sound very happy about the current one, though, unless I’m not reading her correctly.
I’m watching a video of Bach’s St. Matthew Passion. I can’t say it’s the most in tune performance, or the most musical, but the music is still glorious! They just zeroed in on a flutist and I’m watching as she re-places fingers. (No, I don’t mean “replace” … as in taking off fingers and putting on new ones. That would be … um … kind of painful, yes? That’s why I hyphenate the word.) What I mean by “re-place” is she lifts fingers that are down even though they are supposed to be down for the following note. She then has to put them down again. I discourage my students from doing this, aside from those few times we do it to try and “pop” a low note out. Even then I prefer to have a good reed and a well adjusted oboe; the the notes should be there as long as we believe they will be. Funny how, if we think, “I’m going to miss this note!” we do usually miss it. As I tell my students, our oboes are somewhat psychic! ;-)
I believe “the less finger movement the better. But now I’m curious … is this re-placement technique common among my readers? Or is it common amoung my reeders? Or something! ;-)
Haha, so lately I’ve been, erm, I dunno, behaving like a 50 year-old, and listens to many, many classical pieces.
OK, Olivia is officially AWESOME. The actress playing her is named “Anna”, she played the oboe (albeit for only 6 months), and she can turn lights off with her mind!!!
If you have been admitted to UCSC, congratulations! I don’t envy high school students these days; getting into colleges, universities and conservatories is getting more and more difficult. You all are under so much more stress than I was back in the dark ages.
If you are thinking of a music major, or even if you are just interested in oboe at UCSC, please feel free to contact me at pmitchel [at] ucsc [that dot thing you put here] edu. I’m always happy to meet with prospective students if we can make schedules work. (I am on campus on Tuesdays, so if you are making plans, do keep that in mind, please.)
You just can’t beat the beauty at UCSC. I really need to post more pictures from the campus.
Here is my starting page for UCSC students.
It’s a twist of dramatic irony worthy of the stage: Major Bay Area arts groups are, surprisingly, having a robust year at the box office, but slumping donations, absentee tech giants, and diminishing government and foundation funding have left many of them limping out of the long, hard recession.
“This is shaping up as our most difficult year yet,” says Andrew Bales, president of Symphony Silicon Valley. “We continue to fight the good fight.”
… and who is expecting a deficit or not.
Too True!
I think if you take any trained musician (be it pianist, violinist, singer – yes, we’re musicians, too!) they will all marvel at the dichotomy that is Mozart. His music bares a complexity that boggles the brain, and yet it requires the utmost simplicity to execute. It somehow carries a mastery of mathematics and symmetry, and yet it wafts off the page into something airy and indescribable, achingly human in its entirety. I think part of the equation involves simply getting out of our own way, and letting that perfect balance of complexity and simplicity work it’s magic. But that’s a tall order, because it takes a mountain of technical mastery to even make it through the phrases: too much emoting, and it somehow becomes self-indulgent; not enough purity of line from both the voice and the orchestra, and we become too aware of the difficulty at hand.
-Joyce DiDonato
I read it here.
