15. March 2010 · Comments Off · Categories: Announcements

This was sent to me yesterday:

You and your friends, family, and students are personally invited to

What: Oboe Masters at Mason, Sunday, April 11, 2010
Where: GMU Performing Arts Building Choral Room
When: 11:00am-6:00pm*… See more
Who: *International competition adjudicator and oboe specialist Mr. Michael Britton invites you to audition the handmade instruments on display!
12:00pm-1:00pm – Where do oboes come from? A clinic by master oboe builder Mr. Jeremy Walsworth, T.W. Howarth of London!

1:30pm- 4:30pm – Master class by Mr. Joseph Robinson, Principal Oboist (Ret.) of the New York Philharmonic!

* Meet master reed-maker Ms. Meredeth Rouse of Back Bay Reeds! Introducing this valuable new handmade reed resource to players in the Northern Va area!

Thanks to the sponsorship of T.W. Howarth of London, the oboe studio at George Mason University is able to present this wonderful opportunity free and open to anyone who loves music!

If you have any questions about this event (or about “oboe-life” at GMU) please feel free contact:

Dr. Lorrie Brown at lberkshi [at] gmu [dot] edu

15. March 2010 · Comments Off · Categories: TQOD

It took all my moral resolve not to destroy this book we just got about the history of the Oboe.

15. March 2010 · Comments Off · Categories: Videos, WWQuintet

A short time ago I blogged about memorization.

We’ll let this speak for itself:

Hindemith: I

II

III

Okay … fine … Hindemith … maybe I could do that …

… and yes, the do the whole Barber … sigh … so why not throw some Tomasi and Ligeti in too, eh?

Yeah. I’m humbled.

I’m not going to put everything of theirs via YouTube up here, but do check out the Arabesque Winds.

15. March 2010 · Comments Off · Categories: Double Reeds, Fun, Videos

You have to get past the little “oops” at the beginning and another that comes a bit later. But this is great fun! I doubt I’ll ever hear Strauss the same again. (I think I like this better!)

I don’t frequently get the honor (and yes, I mean honor) of attending a student’s concert. My schedule so often conflicts directly with students’ concerts that I rarely get there. Today would have been another of those days. I was originally scheduled to play a Symphony Silicon Valley concert. But plans change. Sometimes guest artists cancel. And sometimes that means a change in program. The change this week meant that I had a week off (with no pay, of course, but that’s how this biz works if you aren’t salaried). This was a time where I was actually very pleased to have been released; I could attend the California Youth Symphony concert, under the direction of a friend I haven’t seen in eons, Leo Eylar.

I have two students currently in the senior group there (Hi Vincent! Hi Timothy!). Timothy is playing English horn in the orchestra and they had DeFalla’s Three Dances from the Three Cornered Hat and Respighi’s Pines of Rome on the program. That’s a mighty fun English horn program! Also included was Tchaikovsky’s Violin Concerto (with a very talented 17 year old Palo Alto High School student, Stella Chen, as soloist) and Higdon’s wonderful Blue Cathedral.

I tell my students, “If you don’t go to hear other people play concerts, why do you think anyone would come to hear yours?” I try to encourage them to attend concerts. If I’m going to push that, I really need to practice what I preach, yes?

But mostly, it’s just a joy to go hear my students play. Timothy was wonderful on English horn. Vincent did a great job. Truly, the entire orchestra was so impressive. So I say a loud, “Bravi tutti,” to the group. I look forward to more!

14. March 2010 · Comments Off · Categories: Sunday Evening Music

William Billings: O Praise the Lord of Heaven

14. March 2010 · Comments Off · Categories: Sunday Morning Music

William Hawley: Not One Sparrow is Forgotten

(If you checked this earlier it was a different selection. Yeah. I changed my mind about what to post.)

13. March 2010 · 3 comments · Categories: Ramble

… does anybody really care?

I sure do!

I’m a time freak. Dan knows it. My students know it. I’m into precise times. When I was in a poetry critique group I would sit in my car until the exact starting time was nearly there, so I could ring the doorbell at that time. Yes. I’m that goofy.

I am not happy about the transition from today to tomorrow. I will lose an hour. The time will be wrong. I have to reset all my clocks. And I have to wake up earlier.

Or do I? Maybe I’ll just wake up at the same time I have been waking up (I usually only use an alarm clock on the day I teach at UCSC). Maybe I’ll just handle it that way except for the UCSC day. Hmmm.

Don’t forget to set your clocks ahead an hour before your head hits the pillow tonight! Especially you musician folks … don’t want to be late for a job!

13. March 2010 · 2 comments · Categories: Oboe, Videos

Liang Wang is principal oboist of New York Philharmonic. He was in this area for a while, playing in the San Francisco Ballet and then San Francisco Symphony. Sadly I never got up there to hear him play live. The guy won quite a number of auditions, as I read here (assuming Wikipedia is correct, of course).

Bach’s Partita in A minor BWV 1013:

13. March 2010 · Comments Off · Categories: Fun, Videos

Great fun! Thanks, dk! :-)

12. March 2010 · Comments Off · Categories: Football, Oboe

This little bit of information may go under the radar, but Houston Texan OL- Chester Pitts will visit San Francisco next week. As of week 3 of the 2009 season Pitts had started 113 consecutive games for Houston, all at guard, after starting his career at tackle. Pitts also played all but 1 snap in 2008. This could be a real good move for the 49ers.

I read it here.

If Chester Pitts actually does come to San Francisco to play with the 49ers do you think he’d play oboe duets with me during halftime?

12. March 2010 · Comments Off · Categories: Birthdays!

Memories:

And yeah, he kind of got older:

Yesterday I wound twelve oboe reeds, readying myself for some upcoming work when I know I’ll be too zoned out to do much whittling. I really need to get working on them, but one thing I usually find myself doing prior to really hunkering down and carving is a “reed purge”. I pull nearly everything out (only leaving the very few best reeds alone), put them in water, and go through each and every reed (oboe and English horn) to do a “search and destroy” mission.

Mission accomplished!:

IMGP0001

Not as messy as some days, as I had done a purge not all that long ago. But for some reason I love the look of all the stuff on the floor! I feel as if I’ve really accomplished something.

What’s remaining:

  • 12 oboe blanks
  • 11 English horn blanks
  • 16 oboe reeds (not saying their great … just not at the “destroy” stage yet)
  • 17 English horn reeds (ditto)

Wow … I just noticed that I have 28 oboe reeds and 28 EH reeds if I add up the finished and blanks … this isn’t anything deliberate. It just happened that way. Funny.

IMGP0003

& now I have to pull out the vacuum.

Jauvon Gilliam, for seven years a timpanist with the Winnipeg Symphony Orchestra, really, really wanted to win the vacant timpani position with the National Symphony Orchestra when the opening was announced last year. So he rented a minivan, packed up his drums and drove 26 hours across the country to audition. He got called back and made the drive a second time.

To make sure he was mentally prepared, he called up timpanists in major American orchestras along the way and asked if he could play for them. He wanted to get used to playing nervous, in unfamiliar situations. The first two attempts went terribly. The next two went much better. And by the time he got to Washington, he was in great form. He was the orchestra’s unanimous choice for the position.

RTWT

I have great admiration for anyone who has to do the audition thing. It’s more difficult than a non-musician might imagine … and I’m incredibly thankful to have jobs I love already. Whew!

12. March 2010 · Comments Off · Categories: TQOD

I decided I’m going to major in music. I just can’t imagine life without a career involving playing my oboe.