24. May 2011 · Comments Off · Categories: Read Online

Because, really, you must read the whole commencement speech John Adams gave at Julliard.

Here’s a snippet, to get your attention:

The arts, however, are difficult. They are mind-bendingly and refreshingly difficult. You can’t learn the role of Hamlet (no less write it), you can’t play the fugue in the Hammerklavier Sonata (no less compose it) and you can’t hope to move effortlessly through one of Twyla Tharp’s ballets without having submitting yourself to something that’s profoundly difficult, that demands sustained concentration and unyielding devotion. Artists are people who’ve learned how to surrender themselves to a higher purpose, to something better than their miserable little egos. They’ve been willing to put their self-esteem in a Cuisinart and let it be chopped and diced and crushed to a pulp. They are the ones who’ve learned to live with the brutal fact that God didn’t dole out talent in fair and equal portions and that the person sitting next to them may only need to practice only half as hard to win the concerto competition.

And the wonderful, astonishing truth is that the arts are utterly useless. You can’t eat music or poetry or dance. You can’t drive your car on a sonnet it or wear it on your back to shield you from the elements. This “uselessness” is why politicians and other painfully literal-minded people during times of budget crises (which is pretty much all the time now) can’t wait to single the arts out for elimination. For them artistic activity is strictly after-school business. They consider that what we do can’t honestly be compared to the real business of life, that art is entertainment and ultimately non-essential. They don’t realize that what we artists offer is one of the few things that make human life meaningful, that through our skill and our talent and through the way that we share our rich emotional lives we add color and texture and depth and complexity to their lives.

He speaks, too, about surprise. Recently I’d heard two composers’ works that were “sounds like” pieces. And I mean “sounds like really really old stuff”. I was puzzling over why, while they sounded somewhat well crafted, I was so put off by them. John Adams explained it to me (because I guess I’m just too stupid to explain it to myself!).

Here’s another bit I thought was excellent and we rarely actually come right out and say it:

They are the ones who’ve learned to live with the brutal fact that God didn’t dole out talent in fair and equal portions and that the person sitting next to them may only need to practice only half as hard to win the concerto competition.

Yep, yep, yep!

But really, the entire speech is mighty fine. Every artist should read it. Heck, everyone should read it!

(I must warn readers, though: he has black background, white type. I always have to hit control + option + command + 8 to reverse everything or my eyes simply go bonkers!)

24. May 2011 · Comments Off · Categories: TQOD

thirty-four meandering oboe solos

24. May 2011 · Comments Off · Categories: Read Online

I just read this description of a 2011 Saline County Fair Queen candidate:

Her hobbies include playing the oboe, knitting and raising rabbits.

Oh Pam … you didn’t tell me you were running for that! ;-)

24. May 2011 · Comments Off · Categories: Announcements, Opera

If you haven’t yet voted … here is yet another repost. Tomorrow is the final day to vote. We haven’t enough votes to place in the top 25. Can you hear me pleading for your vote? You don’t need to live in the Bay Area. Heck, you don’t need to live in the states as far as I can tell. You just need to be a Facebook user, and you need to vote for Symphony Silicon Valley!

While Symphony Silicon Valley was voted in the top 100 for Chase Community Giving (Thank you voters! Thank you Chase!), we now enter into a tighter race, competing for the $500,000 grant for our arts education program.. Because of that I’m going to remind you daily until the voting stops. PLEASE, if you are on Facebook, vote for us. This is a worthy and worthwhile cause … taking the arts to all 4th through 6th grade students in our county! That’s the goal. I — and all involved with Symphony Silicon Valley — appreciate your votes! Let’s get the larger sum of money for this project!

CLICK HERE TO VOTE!

Wait, what are you doing reading this blog still? You really need to CLICK HERE TO VOTE!

Please bear with me: I will post this particular news every day until the voting period ends.

23. May 2011 · Comments Off · Categories: OutsideMyWorld™ · Tags: , ,

I sure wish I could find a video that actually shows Bob Cooper playing, but so far I’ve only located some with him on sax. Oh well!

From “Flute ‘n Oboe” (1956)

Bud Shank – Flute
Bob Cooper – Oboe
Howard Roberts – Guitar
Don Prell – Bass
Chuck Flores – Drums
String Quartet

23. May 2011 · Comments Off · Categories: FBQD

Oh yea. [name here] will go to WCU and plans on camping in the School of Music until they take him. He has thought about playing the oboe to get in. Yea, jazz oboe!?

23. May 2011 · Comments Off · Categories: Read Online

Last year in Risør, Norway, where I am one of the artistic directors of the Risør Festival of Chamber Music, we gave a lot of kindergartners a CD with about 20 musical highlights, including movements from a Bach orchestral suite, Beethoven’s “Pathétique” Sonata and Papageno’s aria from Mozart’s Magic Flute. We played them continuously in the kindergarten breaks for two months and asked the kids to pick their favorites. From those favorites, we put together a live concert at the Risør Festival that was a huge success! The children loved everything on the program, which featured everything from Piazzolla to Beethoven.

-Leif Ove Andsnes

RTWT

I would love to do something like that! Letting them choose their faves really draws kids in. Besides, it’s great fun to hear their thoughts on the pieces. Children can really surprise us with their likes and dislikes.

This reminds me … have you VOTED yet? (Yeah, you have to be a Facebook user. Sorry ’bout that!)

23. May 2011 · Comments Off · Categories: Announcements, Opera

I spent Saturday evening in the California Theatre, listening to the ten finalists for the Irene Dalis Vocal Competition … and Irene Dalis was in the hall! I would have spoken to her, to welcome her back, but so many were already doing that and I thought perhaps she would be growing weary of it all. But welcome back, Irene!

The singers were wonderful. Some were even more than wonderful. Below is the list of finalists, in the order they appeared in the competition (If I found a site for them there’s a link):

Shawnette Sulker, Soprano; Guyana
Evgenia Chaverdova, Mezzo-Soprano; Russia
Jennie Litster, Soprano; Nevada
Krassen Karagiozov, Baritone; Bulgaria
Jasmina Halimic, Soprano; Bosnia-Herzegovina
Rebecca Davis, Soprano; Nevada
Evan Brummel, Baritone; California
Jouvanca Jean-Baptiste, Soprano; New York
Christopher Bengochea, Tenor; Montana
Alexandra LoBianco, Soprano; Florida

And here are the winners:
First Place: Alexandra LoBianco
Second Place: Evan Brummel
Third Place: Christopher Bengochea
Wagner Prize: Jouvanca Jean-Baptiste
Audience Favorite: Alexandra LoBianco

I thought the awards were appropriate, but I was really sorry not to see Krassen Karagiozov awarded anything. I was incredibly moved by his excellent performance. Ah well … this is why competitions drive me nuts; I want everyone to win, and I want my faves to be up there for sure!

One thing that became VERY clear to me after sitting through this competition: Mozart can make or break a singer. While the other composers’ show off a lot of things, Mozart points out all sorts of issues, and especially points out any intonation problems. No surprise, I suppose — he’s used for a ton of instrument auditions as well because he does the same thing there. (Jouvanca, you were fab with your Mozart!)

I’m already looking forward to next year. Maybe I can convince more of my Opera San José orchestra pals to attend to. It’s really great fun!

23. May 2011 · Comments Off · Categories: TQOD

OBOe rily means a kind of flute

22. May 2011 · Comments Off · Categories: Sunday Evening Music

Thomas Tallis: In Manus Tuas
Harmonia Chamber Singers

In manus tuas, Domine, commendo spiritum meum.
Redemisti me? Domine, Deus veritatis.

Into your hands, O Lord, I commend my spirit.
You have redeemed me, O Lord, O God of truth.

22. May 2011 · Comments Off · Categories: Sunday @ Noon Music

Come Thou Fount and Holy, Holy, Holy
(I’d put the musicians’ names up here but I don’t see them listed)

22. May 2011 · Comments Off · Categories: Facebook, Symphony

I don’t normally post anything but my Sunday music on Sundays, but we really DO need your vote, and some of you might need reminding. We are in 54th place right now. Can you help move us up?

Please Vote!

22. May 2011 · Comments Off · Categories: Sunday Morning Music

Henry Purcell: Miserere
Les Arts Florissants; Paul Agnew, Director

… because it looks so darn cool! (I’d “borrow” a photo of it from the site and put it up here but I’m guessing that’s not legal.)

21. May 2011 · Comments Off · Categories: Read Online

A clinic in Slovakia has found a way to comfort newborn babies that are separated from their mothers for treatment – classical music.
Using regular size headphones that appear gigantic on the babies’ tiny heads, the maternity ward in Kosice-Saca hospital has them listening to Mozart or Vivaldi.
During a recent visit to the clinic, chief Dr. Slavka Viragova said the music functions as a replacement for a mother’s voice and is helping the babies breathe regularly and maintain a proper heart beat.

Seeing the photos in the article make me cringe a little bit. Do the headphones really have to be that large? And please oh please tell me they are playing the music very softly.

Maybe I’m just a worrier and maybe I should lighten up.

And maybe not.