25. July 2011 · 2 comments · Categories: Ramble

I just read an article that begins with this:

Many American marching band programs are already in full-swing or soon will be, preparing for their busy fall performance schedules. My last band camp was 2006 – there are definitely things I miss about being involved directly with a marching band program, but I am also thankful to be spared the preparation and hard work that goes along with running such a program, especially considering the current 100+ degree heat wave we are experieincing in the Northeast.

Here are 10 tips from my own experience with fighting the heat and maintaining students’ health and productivity during those long, hot hours of the traditional August band camp:

Nope, not gonna supply you with the 10. You have to go here to read it. And of course it’s really written for the band camp directors rather than students and parents, but stil you might want to take note, especially those living in Marching Band Territories! (For some states marching band is taken much more seriously than others.)

For me? Well, I’m not a participant in marching band at my age, and I have no children involved in it either. But it does mean one thing for me … I will now pretty much lose a few students until marching band season is over.

Sigh. I really hate that some band directors think marching band should trump all other music making. I really despise that it takes my students away from private lessons and, for many, means they will barely touch an oboe until football season ends.

It makes me somewhat grumpy, to be honest.

I wonder, sometimes, if I should just not accept the marching band students as regularly scheduled students and, instead, tell them they can schedule lessons on a week by week basis as they are able and as my schedule permits. That way I could have open slots for those that aren’t in marching band. Is that discriminatory? Probably. But sometimes discrimination can be a good thing can’t it? I am discriminating about my chocolate (milk only). I’m discriminating about my veggies (organic). I’m discriminating about husbands (only one).

Hmmm ….

Update
My, but I sounded grumpy above. Please know I”m not just dissing and hating marching band. I did it (playing bell lyre) in high school. I loved the social aspect of it. I loved the football games (and the hot chocolate my mom would make and my dad would bring for us!). I just don’t like that the “rest of music” stops. That is all. :-)

The Israel Chamber Orchestra and members of the Israel Symphony Orchestra, Rishon Lezion have aroused the hostility of Israeli politicians and have been threatened with funding cuts ahead of a planned concert in which they will play a piece by Richard Wagner at the German composer’s Bavarian home town of Bayreuth on July 26.

You can read more here.

What say ye, thoughtful readers?

Singing is good for us. Really. We sang together as a family when I was growing up … songs in the car were great fun (and yes, we harmonized!). I sang with my best friend and her family in their car too. I don’t know that many families do that any more. Too bad. When our first son Brandon was born I made up a little ditty I sang to him as I rocked him. “Mommy loves Brandon, yes she does. Mommy loves Brandon just because. Mommy loves Brandon, yes it’s true, and she hopes he’ll love her too.” I sang that to each child (inserting the correct name, of course) when they were babies. They don’t remember, I’m sure, but I do.

We sang in elementary school, too. We had music books and we sang from those. They included actually printed music … go figure! It was just expected that we would all learn a bit about reading music, I think. We sang at summer camp. I sang with my little friends. Heck, along with some neighborhood friends we acted out and sang a Winnie The Pooh story.

When i was a kid we had a “Hymn Sing” every so often (at least if I’m remembering correctly! Mom?) at church. (I know for sure that my Dad directed the congregational singing in Sunday evenings.) So just because I can, I will post some hymns sung by congregations or choirs as I find them and they appeal to me. No particular schedule (in other words, don’t count on them weekly in case I can’t find something for the week!), other than posting on Sunday. Some will be familiar, but some (like this one) is new to me. I just liked it because these days not all that many people sing parts at the church I attend.

So … ramble ramble … here’s your Sunday Hymn Sing for tonight. Have a seat in a pew and enjoy!

Here’s the info the YouTube video poster put up:

This is “Psalm 119X” from “The Book of Psalms for Singing” Psalter. This tune, “Russia, L.M.” was written by Daniel Reed in 1786. This was recorded at a congregational Hymn/Psalm Sing at Auburn Avenue Presbyterian Church in Monroe, LA. It is a robust and hearty round in a minor key. It is challenging and rewarding to sing and this is an impromptu singing of it by the congregation.

24. July 2011 · Comments Off · Categories: Sunday Evening Music

There is a Balm, arr. René Clausen
The Concordia Choir

24. July 2011 · Comments Off · Categories: Sunday @ Noon Music

The Lord’s Prayer
Dale (sorry, I don’t see his last name at the YouTube site)

24. July 2011 · Comments Off · Categories: Sunday Morning Music

Pavel Chesnokov: Do Not Reject Me In My Old Age
Russian basso profondo Mikhail Kruglov; The Male Choir of St. Petersburg; Vadim Afanasiev, Conductor

23. July 2011 · Comments Off · Categories: Quotes, Videos

I never felt I belonged in the acting business.

It’s so funny to read his quote because, just so you know, I’m not really an oboist. I’m really an actor. Trouble is, I don’t have the money to pay someone to let me do a movie. Rats rats rats!

23. July 2011 · Comments Off · Categories: Videos

I didn’t even know the two knew each other (I’m horrible about 20th century composers, I’m sorry to say), so I was surprised to find this video. At the end you hear Schoenberg talk about Gershwin just the day after Gershwin’s death.

23. July 2011 · Comments Off · Categories: FBQD

I just signed an oboe out from my unit. I decided I need to load up on fire wood.

23. July 2011 · Comments Off · Categories: TQOD

Ha!ha! She’s more of an ethnomusicologist it’s again about starting from byzantine music and making something new…think oboe

23. July 2011 · Comments Off · Categories: Saturday Morning Cartoon

Mickey Steps Out – 1931

(Seeing Mickey shaving reminds me of my very first reed knife … we just went to a barber shop and asked if they had any old razors there that they were giving away. We then bought a handle somewhere — I can’t remember where — and made a very handy reed knife. Does anyone do that any more?)

22. July 2011 · Comments Off · Categories: Reviews, Videos

These days many performers in classical music speak to audiences to share insights and stories. But it is not often that an artist disavows a performance he has just given.

This happened on Wednesday night at the International Keyboard Institute and Festival at Mannes College the New School for Music, when the noted French-Cypriot pianist Cyprien Katsaris finished a ballistic account of Chopin’s “Military” Polonaise.

The bushy-haired Mr. Katsaris, 60, warned the many aspiring pianists in the audience never to offer an “ignominious” performance like the one he had just given for an exam or a competition; otherwise “the jury will ——,” he said, going silent. Then he made a gesture to slice his throat with his right hand. The audience laughed and applauded.

-Anthony Tommasini

RTWT

So what do you think? Is it okay to do this? What if the audience thought it was wonderful? Are we ruining their enjoyment of a concert? Do we need to enlighten them, or is that ungracious and/or unnecessary? Or could it be that it so bad that he knew a reviewer would “have at it” and this sort of preempted that little problem? Oooh … I like that! I mean … we make a boo boo. So who cares? And if WE call ourselves out on it first it sort of steals the thunder from the reviewer. Hah!

I couldn’t find a video of him playing the Military so here’s this instead:

And since the article also mentions his improvisation:

… and yes, I will now confess I had never heard of Mr. Katsaris before.

22. July 2011 · 2 comments · Categories: Ramble

The Nonesuch record label is releasing a recording of Steve Reich’s commemorative piece “WTC 9/11? on September 6, 2011. The piece is written for three string quartets, and is performed on the recording by the Kronos Quartet (making use of multiple tracking). It also features recorded voices—of air-traffic controllers, witnesses, mourners, and others.

But what’s making waves in the classical community is the album’s cover art, which features a darkened version of a photograph, taken by Masatomo Kuriya, of the moment before the second plane hit the second tower. On the one hand, the photograph is, as Nonesuch writes, “indelible.” But commenters below that post describe it as “pitifully ham-fisted,” “despicably exploitative,” “shoddy,” and even “the first truly despicable classical album cover that I have ever seen.”

You can see the artwork by going to this link, which is where the above quote was found.

So what do you think? Was the album cover in poor taste? Have we had similar artwork of anything from other horrors and atrocities?

I cringe when I see the photo. But I’m not sure if that means it’s wrong to use it. Hmm. But what if a family member of mine was in that plane or in one of the buildings? Or how about if someone wrote a requiem for a person who died in a house fire and the album cover was of that very house on fire, with the person inside? What if a work was written for a murder victim and someone had a photo of him being murdered and that became the cover art for the album? I could go on — I did, in fact, but I thought it in poor taste to put what I had written up here so I deleted it.

Okay. I think I know where I stand now. I just needed to ponder … in writing ….

22. July 2011 · Comments Off · Categories: FBQD

first private oboe lesson.. im beyond excited!!!:):):):)

22. July 2011 · Comments Off · Categories: BachTrac™ · Tags:

Toccata, Adagio en Fuga in C gr.t., BWV 564
Aart Bergwerff, organ; Marije Nie, dancer

(Patience … it takes a while ….)