I believe Opera Tattler (Charlise Tiee) was the first to get something up on the double bill. I spoke with her and Not For Fun Only‘s (link is to the double bill) Axel Feldheim during the first intermission. I love seeing blogging friends when I’m at work. Of course it also makes me rather nervous!
The Mercury News review (Richard Scheinin) is up and you can read it here. There’s no mention of the orchestra. Sometimes this is due to an editor’s cut. Sometimes reviewers don’t mention us because they have nothing good to say. Sometimes we simply aren’t mentioned. I’m okay with it, assuming what is on the stage takes precedence, but some of my colleagues get extremely frustrated.
You might wonder: do I have opinions on our performance? You bet! Will I share with you? You bet not! :-)