Nancy Ambrose King, oboe
Stephane Levesque, bassoon
2006, Austin, TX
Um. Okay … I’m humbled. Again. And again.
Nancy Ambrose King, oboe
Stephane Levesque, bassoon
2006, Austin, TX
Um. Okay … I’m humbled. Again. And again.
Is the bassoon bigger than the double bassoon?
Well how silly is that? If you stack one bassoon on top of another, making it a double, it will obviously be taller! I think taller qualifies as bigger … right? ;-)
… as you’ve never heard it before.
Now I’ll have to confess, when I hear this I get some very strange lyrics in my head. As a kid we sang this to it:
Comet, it makes your mouth so clean
Comet, it tastes like gasoline
Comet, it makes you vomit
So go get Comet, and vomit, today!
(Anyone else remember the old comet commercial that used part of the Colonel Bogey March?)
There’s something very cool sounding when you get four bassoons together, don’t you think?
It says “Three Guys and a Lady” … and I see four guys. I’m so troubled by this … ;-)
Once more, a bassoonist is having fun. Figures. But I just know we oboists can have fun too. I won’t stop believin’ it. Really.
… and he’s a good player, too! That’s what makes this so good! Well, that and the costume!
Bassoons!
Giovanni Gabrieli Sonata pian e forte arranged by William Waterhouse
University of Colorado at Boulder, College, Bassoon studio of Yoshiyuki (Yoshi) Ishikawa, 2008:
Choir 1: Brian Jack, Michael Christoph, Michelle? Jones, Kent Hurd, Tyler Sherban, Mattthew Cullen
Choir 2:James Massol, Ethan Turner, Patricia Fagan, Amanda Hofer, Ben Cefkin, Kaori Uno
(For more information click on the video and it’ll take you to the YouTube page.)
Anyone heard of a contraforte? I’m guessing so … I seem to be the last to know about things like this. Heck, I’m the last to know I should own and English horn with a low A♯ … go figure!
Anyway, check this out … read all about it!
Here’s a snippet to get you interested:
A few years ago, when the National Symphony Orchestra was rehearsing at the Kennedy Center for a performance of Stravinsky’s “Petrushka,” a funny thing happened to the orchestra’s contrabassoonist, Lewis Lipnick. He was playing a solo passage on his instrument, which is known for its erratic, sometimes flatulent sound. It must have sounded particularly gassy that day. Someone in the trumpet section threw a roll of toilet paper at him.
Leonard Slatkin, who was conducting at the time, stopped the orchestra and looked at him thoughtfully. “Well, you know, Lew,” Lipnick remembers him saying, “it wasn’t undeserved.”
And here is a contraforte:
Please watch the entire thing (and thanks, dk, for alerting me to this one) …
So everyone knows the lyrics are normally something like “Why not an English horn, this note’s too high for me!” or something like that … I’ve heard variations on that theme. But now we must have new lyrics eh?
Why play this right side up? It more fun upside down!
… a bassoonist having fun!
More from Trio D’Anches De Cologne
Trio D’Anches De Cologne
Man, they just have all the fun ….
On an electric bassoon! (Once again, a bassoonist is doing something fun. We oboists need to do something fun, don’t you think?)